Shiro Sagisu strikes again with the release of the next original soundtrack for the Rebuild of Evangelion movie series! The complex symphony of strings, percussion, horns and choir as heard on the first two soundtracks has been enhanced with very epic electric guitars to create a dynamic and, arguably, very heroic/anti-heroic musical experience. This two-disc set contains even more original music plus two tracks from the original anime that every Eva fan is going to want to hear. Once you are finished listening to this soundtrack, you'll either feel like a badass or an angel-- an angel like Kaworu!
Unlike the first two soundtracks, Evangelion 3.0 is quite a bit shorter. Don't let the reduction in track numbers fool you. Every track packs a powerful punch. The fun begins with the opening track, "God's Message" as heard in the trailer. How does he come up with such complex arrangements?! Stirring strings starts the piece which gradually builds in magnitude until the chorus and horns join in. You know something worthy of a 3rd Impact is going to occur. In fact, the first tracks on disc one are very intense and very loud.
The latter half of the disc settles down a bit but, not by much. The music becomes more somber. The tension grows. The chorus sounds as though it is warning the listener that something tragic and unexpected will occur. Things pick back up with tracks like,"It Will Mean Victory" (which sounds like it came from Final Fantasy VII: Advent Children), the discordant "Scarred and Battled", the epic "The Wrath of God in All Its Fury," and a very familiar piece of classical music for Eva fans, Beethoven's "Ode to Joy". The final track on the disc, "God's Gift" is very surprising. It starts as a mix of diluted guitar rifts and techno-style synth as though it was going to turn into a club tone. However, it doesn't. This track is slow and edgy. The guitar and strings solo is to die for. The trumpet and guitar work in this track is simply amazing. It is a very addictive piece of music.
Disc two carries more of the style of music that Shiro produced for the first two Rebuild soundtracks. There are two more different arrangements for "The Longest Day" from Evangelion 1.0. The first is the extended version "2EM13_EM20_Alterna" from the Evangelion 2.0 soundtrack. The second combines all of the different variations of "The Longest Day," adds in the chorus and titles itself, "Serenity Amongst the Turmoil." Disc two is composed of mostly piano tracks that range from haunting and foreboding to quiet and sad. The next piece of Evangelion music from the television series to be arranged for the Rebuild is "Borderline Case." Anyone with the S2 Works set knows how many different variations there are of this *cough cough* disc 5 *cough cough*. Evangelion 3.0 presents what I like to call a J.A. Seazer-style all piano version and a tense orchestral and choir version of it. "Borderline Case" has always been a favorite of mine so I was happy to hear it on this disc. The second to last track on the disc is the choral version of the preview music.
The very last track is somewhat of an enigma. It's 9:15 in length and called "Famously...". It consists of two piano solos, one long trumpet solo, and a guy reading what sounds like translated dialogue between Shinji and Kaworu. There are a few lengthy moments of silence between each portion of that track. It is the weirdest thing to come out of the Rebuild of Evangelion music series thus far. Even so, you certainly can (not) redo the epicness that is this soundtrack. I give it 5 out of 5 stars.
I grew up listening to the music Shiro Sagisu created for Neon Genesis Evangelion. I am very pleased with what he has done and continues to do for the Rebuild of Evangelion series and I will be on pins and needles until the soundtrack for Evangelion 4.0 comes out. He truly is a musical god. Purchase your copy of the Evangelion 3.0 soundtrack at your favorite online retailer today! Believe me, Kaworu would be happy if you did!
Unlike the first two soundtracks, Evangelion 3.0 is quite a bit shorter. Don't let the reduction in track numbers fool you. Every track packs a powerful punch. The fun begins with the opening track, "God's Message" as heard in the trailer. How does he come up with such complex arrangements?! Stirring strings starts the piece which gradually builds in magnitude until the chorus and horns join in. You know something worthy of a 3rd Impact is going to occur. In fact, the first tracks on disc one are very intense and very loud.
The latter half of the disc settles down a bit but, not by much. The music becomes more somber. The tension grows. The chorus sounds as though it is warning the listener that something tragic and unexpected will occur. Things pick back up with tracks like,"It Will Mean Victory" (which sounds like it came from Final Fantasy VII: Advent Children), the discordant "Scarred and Battled", the epic "The Wrath of God in All Its Fury," and a very familiar piece of classical music for Eva fans, Beethoven's "Ode to Joy". The final track on the disc, "God's Gift" is very surprising. It starts as a mix of diluted guitar rifts and techno-style synth as though it was going to turn into a club tone. However, it doesn't. This track is slow and edgy. The guitar and strings solo is to die for. The trumpet and guitar work in this track is simply amazing. It is a very addictive piece of music. Disc two carries more of the style of music that Shiro produced for the first two Rebuild soundtracks. There are two more different arrangements for "The Longest Day" from Evangelion 1.0. The first is the extended version "2EM13_EM20_Alterna" from the Evangelion 2.0 soundtrack. The second combines all of the different variations of "The Longest Day," adds in the chorus and titles itself, "Serenity Amongst the Turmoil." Disc two is composed of mostly piano tracks that range from haunting and foreboding to quiet and sad. The next piece of Evangelion music from the television series to be arranged for the Rebuild is "Borderline Case." Anyone with the S2 Works set knows how many different variations there are of this *cough cough* disc 5 *cough cough*. Evangelion 3.0 presents what I like to call a J.A. Seazer-style all piano version and a tense orchestral and choir version of it. "Borderline Case" has always been a favorite of mine so I was happy to hear it on this disc. The second to last track on the disc is the choral version of the preview music.
The very last track is somewhat of an enigma. It's 9:15 in length and called "Famously...". It consists of two piano solos, one long trumpet solo, and a guy reading what sounds like translated dialogue between Shinji and Kaworu. There are a few lengthy moments of silence between each portion of that track. It is the weirdest thing to come out of the Rebuild of Evangelion music series thus far. Even so, you certainly can (not) redo the epicness that is this soundtrack. I give it 5 out of 5 stars.
I grew up listening to the music Shiro Sagisu created for Neon Genesis Evangelion. I am very pleased with what he has done and continues to do for the Rebuild of Evangelion series and I will be on pins and needles until the soundtrack for Evangelion 4.0 comes out. He truly is a musical god. Purchase your copy of the Evangelion 3.0 soundtrack at your favorite online retailer today! Believe me, Kaworu would be happy if you did!
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